Monday, 9 April 2012

Al-Jazeera Gets Rap as Qatar Mouthpiece

http://www.bloomberg.com/news/print/2012-04-09/al-jazeera-gets-rap-as-qatar-mouthpiece.html


Al-Jazeera Gets Rap as Qatar Mouthpiece


Having built considerable goodwill among various Arab publics tired of state-run TV, Al-Jazeera is suddenly facing a slew of criticisms from commentators who argue the channel has gone off track.

The strength of the regional station, founded in 1996 and based in Qatar, had been that it offered an alternative to broadcasters controlled by national governments, whose coverage invariably reflected narrow regime interests rather than a popular understanding of events. Now, Al-Jazeera is being accused of the same sin as those state-run enterprises -- of being a vehicle for a regime, in this case that of Qatari Emir Sheik Hamad bin Khalifa al-Thani.

Writing under the headline “Al-Jazeera is not okay” in the Beirut-based, leftist daily As-Safir, columnist Sahar Mandour outlined some of the main controversies swirling around the channel. Mandour described a series of high-level resignations by staff angry over a lack of coverage given to unrest in Bahrain, which abuts Qatar, and “biased” coverage of violence in Syria. He discussed outtakes of interviews, run repeatedly on state-controlled Syrian TV, that suggest channel staff actively coached some eyewitnesses and manufactured some victims of Syrian government oppression. Mandour mentioned leaked internal e-mails that, if authentic, demonstrate that Al-Jazeera has become yoked to an increasingly aggressive foreign policy by the Qatari emir, who championed the NATO-led assault on Muammar Qaddafi's forces in Libya and advocates military intervention in Syria. Mandour wrote:

Al-Jazeera was the pioneer in defining the professional Arab media. Thus, accusing it of professional failure affects the entire media.

In another Beirut-based paper, Al-Akhbar, which has been banned in Syria, editor-in-chief Ibrahim al-Amine wrote that it “has become routine to be sent dozens of Internet links that direct you to professional, political or moral scandals associated with what Al-Jazeera broadcasts. You would only be astonished if someone were to ask you: 'Did you see how that Al-Jazeera anchor grilled his guest from the Syrian opposition?'”

Amine contended that “you can now find many opponents of the Syrian regime -- especially activists in the local coordination committees -- who reject any attempt to implicate them in Al-Jazeera’s broadcasts” because of the “daily disasters” seen on the channel. He concluded:


The channel will allow no discussion of what has become of it, which has taken us back to the days of a media in which 'no voice rises above the sound of the battle.' It casts aspersions on the motives of anyone who criticizes it, defends fatal mistakes with feigned naivete, and at the same time refuses to concede that its ‘logical justification’ for what is happening today is, ‘We are implementing the policy of our funder, period.’

Writing in the Saudi-based Arab News, columnist Ramzy Baroud offered a more measured, but nonetheless penetrating, critique of the station rare among Gulf-owned media outlets, especially since the Qatari and Saudi royal families reconciled longstanding differences and have both supported intervention in Syria.

Some of us have warned against the temptation of a one-narrative-fits-all style of reporting. A nonviolent popular uprising is fundamentally different from an armed rebellion, and a homegrown peaceful Tahrir Square revolution is different from NATO-Arab military and political campaigns aimed at settling old scores and fomenting sectarian conflict (as in Libya and now Syria).

Baroud argued that Al-Jazeera has ignored such distinctions. In Libya, he wrote, the channel “strove to present a perfect scenario of a perfect revolution. Now that the sentimentalization of the revolution is fading away, a harsh new reality is setting in, one that encompasses numerous armed groups, infighting and Western countries ready to share the spoils.”

As for Syria, he wrote, “there is no denial that Syria is in need of fundamental political reforms” and that “the blatant violence” employed against the uprising was “simply indefensible.” Still, he argued, there is more to Syria than a brutal “Alawite regime,” a reference to President Bashar al-Assad’s sectarian affiliation, and “a rebelling nation that never ceases to demand ‘international intervention.’”

There is also the reality, he stressed, of “ill-intentioned parties seeking their own objectives” that have little to do with the desires of many Syrians for freedom and justice. These objectives include “further isolating Iran, strengthening allies in Lebanon, weakening Damascus-based Palestinian factions and aiding U.S. allies in rearranging the entire power paradigm in the region.”

In its early days, Baroud concluded wistfully, Al-Jazeera took on taboo subjects and proudly challenged the status quo. Its overseers continued this practice in Iraq, “when mainstream Western media were disowning their own proclaimed standards of objectivity and treating Iraqis like dispensable beings undeserving of even a body count.” Now, he wrote, the dream of a balanced, yet still critically minded pan-Arab TV channel seems to be coming to an end.

Reacting to such criticisms, especially from Al-Akhbar, which has run a number of critical pieces, including from Al-Jazeera staff members who have resigned, the channel posted its own editorial last week on its website, Aljazeera.net.

Accusing Al-Akhbar of being a “Hezbollah-affiliated newspaper,” the editorial described a concerted plot to “crush the legend” of Al-Jazeera, a reference to a recent Al-Akhbar headline.

The Lebanese Al-Akhbar newspaper does not have a monopoly on targeting Al-Jazeera. It's being done under sectarian, denominational, partisan and ideological headlines by all of Hezbollah’s media outlets, in addition to Bashar al-Assad’s media outlets and those who are loyal to the Syrian regime.

Noting that many of its current critics had “become celebrities thanks to the channel,” the piece argued that their gripes are vastly overstated -- “as if Qatar is a superpower wishing to control the region through Al-Jazeera, or as if Al-Jazeera could transform Qatar into a superpower with the ability to change maps” and redefine regional and international alliances.

"Let us forget about the praise addressed to Qatari policy back when it belonged to the resistance and rejectionist axis,” the editorial concluded, and ask if it is really logical that “Qatar has gone overnight from being an active member of the rejectionist and resistance axis to the spearhead of imperialism aimed at destroying the resistance and at dividing the Arab world on sectarian bases?"

It was an odd way for a media outlet to defend its professionalism, by arguing that it couldn't possibly have changed camps so quickly. Given that the accuracy, objectivity and fairness of its reporting weren't Al-Jazeera's main line of defense, it may take considerable repair before the channel wins new fans in the region.

(Nicholas Noe and Walid Raad are the Beirut correspondents for the World View blog. The opinions expressed are their own.)

To contact the writers of this article:

noe@mideastwire.com.

To contact the editor responsible for this article:

Lisa Beyer at lbeyer3@bloomberg.net or +1-212-205-0372.

Tuesday, 21 February 2012

Important of Title of the News

We need to understand the importance of the title of News. Please read this article 'How Forbes stole an article and got all the traffic.'

How Forbes stole an article and got all the traffic.

http://nickoneill.com/how-fortune-stole-a-new-york-times-article-and-got-all-the-traffic-2012-02/?utm_source=feedburner&utm_medium=twitter&utm_campaign=Feed%3A+hackernewsyc+%28Hacker+News+YC%29

They say a picture is worth a thousand words, but how much is a title worth? If the story that proceeds is any indicator, a title is worth over 6700 words and months of research. It all began Friday when the New York Times published an article “How Companies Learn Your Secrets“. It was an extremely long article which discussed how large companies like WalMart and Target collect data about your individual consumption patters to figure out how to most efficiently make you happy. It was a great piece but there was one problem: it didn’t have the title it deserved.
The original title was “How Companies Learn Your Secrets”. Kashmir Hill, a writer at Forbes, realized this and quickly developed a condensed version of the article with a far more powerful title: “How Target Figured Out A Teen Girl Was Pregnant Before Her Father Did“. It cut out the crap and got to the real shocker of the story. As of the writing of this story, the New York Times article has 60 likes and shares on Facebook versus 12,902 which the Forbes article has. The Forbes article also has a mind boggling 680,000 page views, a number that can literally make a writer’s career.
I had that experience myself at AllFacebook with this article. It was an article that I wrote following 6 months of research on copywriting. The reality is that in the world of newsfeeds and streams, titles matter more than ever before. The best content in the world will fall flat without a great title. Nothing illustrates it better than this recent Target article.
Unfortunately a story like the one that the New York Times wrote is relatively rare in the sense that an incredible amount of work had gone in to the development of it. What’s odd is that the editors clearly knew that Target knowing a customer is pregnant is a juicy story as they put it in the lede. Here’s the article’s lede:
Andrew Pole had just started working as a statistician for Target in 2002, when two colleagues from the marketing department stopped by his desk to ask an odd question: “If we wanted to figure out if a customer is pregnant, even if she didn’t want us to know, can you do that? ”
That line pulls the reader in and keeps them going but they missed one critical step (and the most important step) in pulling in the reader: the title.
Update
David Singer pointed out in the comments that the New York Times article actually had more likes than I mentioned … substantially more. After figuring out a slight bug (as far as I can tell) it appears that the New York Times actually has 14,000 likes versus the Forbes article which now has over 15,000. The end result is that the title mattered but the content provided by the New York Times did not go unrewarded. However the conclusion of my article is still valid: by changing the title and summarizing it effectively, the Forbes article was able to get more shares and most likely more traffic.
Also I should add that as many comments suggest, the Forbes article was not literally stealing. I agree and the word “Stole” in my title is meant to imply that they stole the key components of the main story. This is often a winning strategy as was the case here.

Sunday, 5 February 2012

Award Winning Filmmaker Tom Heinemann was refused to enter India by Indian Embassy

The award-winning documentary filmmaker Tom Heinemann was this morning refused a visa at the Indian Embassy in Copenhagen.

Last week the Indian Embassy stated that no journalist employed at Danish Broadcasting Service (DR) are welcome in India anymore. Still, an unnamed employee at the Indian Embassy said that all other journalists are still welcome.

But not Tom Heinemann. The reason may be that in 2005 he made the film "A Killer Bargain” on the working conditions at i.e. Danish companies in India.

The refusal also applies to his wife, Lotte la Cour, who is his regular television cameraman.

More importantly, however, is that the Indian embassy stamped three letters in both their passports - 'VAF'.
It stands for 'Visa Application Failed' and, according to Tom Heinemann, a stamp that makes his passport virtually useless in many of the countries he would like to visit.

"It's something you write in the passport of alleged terrorists and villains. I am persona non grata in India for life. It is what it means. And I have to switch passports, otherwise I can’t go into a lot of other countries, "says Heinemann.

He adds that he loves India and he and other friends in Denmark are paying for the education of four children of a common friend they have in India.

The family was one of those he wanted to visit this year on a tourist trip along with his wife.

Tom Heinemann has now informed the Danish ministry of foreign affairs that he again has been refused a visa - this time a tourist visa. He believes that the matter is fundamental for the freedom of the press.

In a comment, the chairman of the National Danish Union of Journalists, Mogens Blicher Bjerrregaard demands that the government immediately intervene:

“The Danish government must explain the Indian authorities that this is not how press freedom works”.

http://journalisten.dk/dj-formand-regeringen-m-stoppe-heinemann-censur
This news has been update in dailymail:
Danish filmmaker Tom Heinemann and his wife Lotte La Cour have been denied visas to India






















Incredibly intolerant India: Controversial Danish filmmaker denied entry visa - even though he only wants to vacation here

In a move that smacks of an attempt to smother press freedom, the Indian government has banned journalists of the Danish public broadcaster from coming to India for making documentaries.

The Indian embassy in Denmark has been told to reject the visa applications of journalists working for Danish Broadcasting Corporation (DR) and others who may be connected with it.

This week the embassy denied visas to a freelance journalist couple who had earlier produced a documentary on India for the state-run corporation.

Journalist unions in Denmark have protested against the move saying it was an assault on the freedom of press. They want Danish authorities to take up the matter with the Indian government.

Chairman of the National Danish Union of Journalists, Mogens Blicher Bjerrregaard, said: 'The Danish government must explain to Indian authorities that this is not how press freedom works.'

Danish media quoted a DR spokesperson as saying: 'I don't know all the details. We are working with the foreign ministry, so I can't say too much. We are hopeful that a solution will be found.'

The Indian ambassador in Denmark, Ashok Kumar Attri, did not respond to e-mail queries from Mail Today on the issue.

Sources in the ministry of external affairs (MEA), however, clarified that the informal ban applied only to the state broadcaster and not all Danish journalists.

MEA officials explained the ground for imposing the ban thus: 'The stated purpose when DR journalists applied for a visa the last time was to make a documentary, but they ended up producing a reality show based on India. The series depicted all sorts of things, including life in our slums.'

The series, titled Blood, Sweat and T-shirts, focused on poor working-conditions in India's textile industry.

'There has been a breach of trust in the past. That's why they have been denied visas,' government sources said.

'We have liberal rules, but if someone brazenly violates visa conditions, we can't be expected to keep quiet.'

The latest instance that has caused an uproar in Danish press circles relates to award-winning documentary maker Tom Heinemann and his cameraperson-wife Lotte la Cour, who were denied visas on January 31.

The couple say they had applied for a tourist visa and had no plans to do any professional work.

'We are six people here in Denmark, who are paying for the education of four children in India. We were supposed to meet families who are our friends. We had also planned a visit to Goa to meet other friends,' Heinemann told Mail Today from Copenhagen.






















Heinemann's passport has been stamped 'VAF', which he says means 'Visa Application Failed'. But Indian officials clarified that it stands for 'Visa Applied For' just to ensure that the person does not make a fresh application at any other Indian mission.

'The VAF stamp on our passports is like a label of Cain - a stamp saying "Visa Application Failed", which means there are several other countries that I will never be able to go to. It's like being labelled a terrorist. I am not a terrorist. I am just a journalist who wants to do his job,' an upset Heinemann said.

The documentary maker first ran into trouble with Indian authorities after his 2005 documentary A Killer Bargain, which showed how Danish and Swedish corporations were selling in India, pesticides banned in Europe and which had led to problems such as cancer in rural areas.

Heinemann has been denied the visa, even though he apologised to the Indian government for making the documentary while in the country on a tourist visa.

'This is not only a big problem for me and my camerawoman, but a general assault on the freedom of expression. Every journalist should protest against this,' the filmmaker said.

'The Indian authorities claim that India is the world's biggest democracy. When they can exclude prominent journalists, even groups of journalists, such as my colleagues at DR, it is against the basic tenets of democracy.'


http://www.dailymail.co.uk/indiahome/indianews/article-2096177/Tom-Heinemann-Controversial-Danish-filmmaker-denied-entry-visa-India.html